7,004
edits
Difference between revisions of "Duchess Maria Antonia of Bavaria"
Duchess Maria Antonia of Bavaria (view source)
Revision as of 13:19, 15 October 2021
, 13:19, 15 October 2021no edit summary
| Line 30: | Line 30: | ||
| monuments = | | monuments = | ||
| nationality = <!-- use only when necessary per [[WP:INFONAT]] --> | | nationality = <!-- use only when necessary per [[WP:INFONAT]] --> | ||
| other_names = | | other_names = ''Ermelinda Talea Pastorella Arcadia'' ( ETPA ) | ||
| siglum = | | siglum = | ||
| citizenship = <!-- use only when necessary per [[WP:INFONAT]] --> | | citizenship = <!-- use only when necessary per [[WP:INFONAT]] --> | ||
| education = | | education = {{plainlist| | ||
*Giovanni Battista Ferrandini | |||
*Nicola Antonio Porpora}} | |||
| alma_mater = | | alma_mater = | ||
| occupation = | | occupation = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist | ||
| years_active = | | years_active = | ||
| era = | | era = | ||
| Line 90: | Line 92: | ||
}} | }} | ||
Maria Antonia of Bavaria was a politician and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education. Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''. | |||
Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs. | In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA). | ||
Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs.''(Abbridged from Wikipedia)''</ref name="Wiki"/> | |||
Among her works are: | |||
*''Il trionfo della fedeltà'' (opera, performed at Dresden in 1754, libretto and music by Maria Antonia); | |||
*Talestri, regina delle Amazzoni (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia); | |||
*La conversione di Sant'Agostino (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse). | |||
==XXX in Philippe Jaroussky's discography, filmography and performance history== | ==XXX in Philippe Jaroussky's discography, filmography and performance history== | ||
===Studio albums=== | ===Studio albums=== | ||
| Line 149: | Line 158: | ||
{{cite web | {{cite web | ||
|url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern | |url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern | ||
|archive-url= | |archive-url=https://web.archive.org/web/20211015105240/https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern | ||
|title= | |title=Maria Antonia von Bayern | ||
|last= | |last= | ||
|first= | |first= | ||
|date= | |date= | ||
|website= | |website=Wikipedia | ||
|publisher= | |publisher= | ||
|access-date={{date|2021-10-06|DMY}} | |access-date={{date|2021-10-06|DMY}} | ||
| Line 164: | Line 173: | ||
[[Category:Librettists]] | [[Category:Librettists]] | ||
[[Category:Lyricists]] | [[Category:Lyricists]] | ||
[[Category: | [[Category:18th-century librettists]] | ||
[[Category: | [[Category:18th-century poets]] | ||
[[Category: | [[Category:18th-century lyricists]] | ||
[[Category:18th-century composers]] | |||