7,004
edits
(6 intermediate revisions by the same user not shown) | |||
Line 2: | Line 2: | ||
<!-- if it is not a solitary work, here comes the infobox from the work containing it. E. g., not “Casta Diva” but “Norma”--> | <!-- if it is not a solitary work, here comes the infobox from the work containing it. E. g., not “Casta Diva” but “Norma”--> | ||
{{Infobox musical composition | {{Infobox musical composition | ||
| name = La Molinara ''ossia'' l'amor contrastato<!-- use |list_title= if list --> | | name = [[L'amor contrastato|La Molinara ''ossia'' l'amor contrastato]]<!-- use |list_title= if list --> | ||
| subtitle = | | subtitle = | ||
| type = Dramma giocoso per musica in due atti | | type = Dramma giocoso per musica in due atti | ||
Line 62: | Line 62: | ||
Its inclusion in the ''24 Italian Songs and Arias'' by Schirmer (Ed.) and Alessandro Parisotti's ''Arie Antiche'' (1885) made it well known by vocal coaches and aspiring singers. | Its inclusion in the ''24 Italian Songs and Arias'' by Schirmer (Ed.) and Alessandro Parisotti's ''Arie Antiche'' (1885) made it well known by vocal coaches and aspiring singers. | ||
{{lang|it|Nel cor più non mi sento}} originally appears in Act II of the opera [[L'amor contrastato|''La molinara'']] (engl: The Beautiful Miller), also called {{lang| | {{lang|it|Nel cor più non mi sento}} originally appears in Act II of the opera [[L'amor contrastato|''La molinara'']] (engl: The Beautiful Miller), also called {{lang|it|L'amor contrastato}} (The Thwarted Love). | ||
The aria is sung by the eponymous beautiful miller, the mischievous Rachelina, who enjoys the attention of two men – the nobleman Calloandro and the notary Pistofolo.<ref name="Operamanager"/> While in aria collections, the piece is limited to Rachelina's part, in the opera, the song is picked up by the two men so attracted to her. | The aria is sung by the eponymous beautiful miller, the mischievous Rachelina, who enjoys the attention of two men – the nobleman Calloandro and the notary Pistofolo.<ref name="Operamanager"/> While in aria collections, the piece is limited to Rachelina's part, in the opera, the song is picked up by the two men so attracted to her. | ||
Line 75: | Line 75: | ||
|- | |- | ||
|2021 | |[[2021]] | ||
| [[À sa guitare (Album)]] | | [[À sa guitare (Album)]] | ||
| [[Thibaut Garcia]] | | [[Thibaut Garcia]] | ||
Line 130: | Line 130: | ||
Bandiera d'ogni vento | Bandiera d'ogni vento | ||
Conosco, che sei tu: | Conosco, che sei tu: | ||
Da uno sino a cento< | Da uno sino a cento<nowiki>*</nowiki> | ||
Burli la gioventù. | Burli la gioventù. | ||
Tu stuzzichi, tu pizzichi, | Tu stuzzichi, tu pizzichi, | ||
Line 147: | Line 147: | ||
| libretto-text =<poem>'''Rachelina''' | | libretto-text =<poem>'''Rachelina''' | ||
In my heart, I no longer feel | In my heart, I no longer feel | ||
The innocent sparkle of youth: | |||
The cause of my torment, | The cause of my torment, | ||
Love, you are to blame. | Love, you are to blame. | ||
Line 173: | Line 173: | ||
A vane for every weather, | A vane for every weather, | ||
I know well, are you: | I know well, are you: | ||
From one to a hundred< | From one to a hundred<nowiki>*</nowiki> | ||
You mock the youth. | You mock the youth. | ||
You tease, you pinch, | You tease, you pinch, | ||
Line 493: | Line 493: | ||
|access-date={{date|2021-10-8|MDY}} | |access-date={{date|2021-10-8|MDY}} | ||
|quote=}}</ref> | |quote=}}</ref> | ||
ref name="Operamanager"> | <ref name="Operamanager"> | ||
{{cite web | {{cite web | ||
|url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 |