Difference between revisions of "Nel cor più non mi sento"

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<!-- if it is not a solitary work, here comes the infobox from the work containing it. E. g., not “Casta Diva” but “Norma”-->
{{Infobox musical composition
{{Infobox musical composition
| name                = La Molinara ''ossia'' l'amor contrastato<!-- use |list_title= if list -->
| name                = [[L'amor contrastato|La Molinara ''ossia'' l'amor contrastato]]<!-- use |list_title= if list -->
| subtitle            =  
| subtitle            =  
| type                = Dramma giocoso per musica in due atti
| type                = Dramma giocoso per musica in due atti
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}}
}}


'''"{{lang|it|Nel cor più non mi sento}}"''' is easily be called the most famous of [[Giovanni Paisiello|Giovanni Paisiellos]] and [[Giuseppe Palomba|Giuseppe Palombas]] creations.<ref name="Wiki"/> It inspired Ludwig van Beethoven to his ''Six variations in G for piano'', (WoO 70) in 1795. In 1821, Paganini picked up the "Nel cor" for his "Introduction and variations in G major" for violin, (Op. 38, MS 44), which is known to us thanks to concertmaster Carl Guhr who wrote down what he remembered from Paganini's concerts in Frankfurt by ear.<ref name="Kammermusik"/>
'''"{{lang|it|Nel cor più non mi sento}}"''' is easily be called the most famous of [[Giovanni Paisiello|Giovanni Paisiellos]] and [[Giuseppe Palomba|Giuseppe Palombas]] creations.<ref name="Wiki"/> It inspired Ludwig van Beethoven to his ''Six variations in G for piano'', (WoO 70) in 1795. In 1821, Paganini picked up the "Nel cor" for his ''Introduction and variations in G major for violin'', (Op. 38, MS 44), which is known to us thanks to concertmaster Carl Guhr who wrote down what he remembered from Paganini's concerts in Frankfurt by ear.<ref name="Kammermusik"/>


"Nel cor più non mi sento" appears on the following album:
Its inclusion in the ''24 Italian Songs and Arias'' by Schirmer (Ed.) and  Alessandro Parisotti's ''Arie Antiche'' (1885) made it well known by vocal coaches and aspiring singers. 
 
{{lang|it|Nel cor più non mi sento}} originally appears in Act II of the opera [[L'amor contrastato|''La molinara'']] (engl: The Beautiful Miller), also called {{lang|it|L'amor contrastato}} (The Thwarted Love).
 
The aria is sung by the eponymous beautiful miller, the mischievous Rachelina, who enjoys the attention of two men – the nobleman Calloandro and the notary Pistofolo.<ref name="Operamanager"/> While in aria collections, the piece is limited to Rachelina's part, in the opera, the song is picked up by the two men so attracted to her.
 
''"Nel cor più non mi sento"'' appears on the following album:


{| class="wikitable"
{| class="wikitable"
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|-
|-
|2021
|[[2021]]
| [[À sa guitare (Album)]]
| [[À sa guitare (Album)]]
| [[Thibaut Garcia]]
| [[Thibaut Garcia]]
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{{Song header <!-- use of this template automatically includes Template:Custom/songinfo.css -->
{{Song header <!-- use of this template automatically includes Template:Custom/songinfo.css -->
| title            = Nel cor più non mi sento  
| title            = Nel cor più non mi sento  
| english-title    = I no longer feel in my heart
| english-title    = In my heart, I no longer feel
| composer        = [[Giovanni Paisiello]]
| composer        = [[Giovanni Paisiello]]
| lyricist        = [[Giuseppe Palomba]]
| lyricist        = [[Giuseppe Palomba]]
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| role            =  Rachelina
| role            =  Rachelina
}}
}}
</div>
 
{{Clear|left}}
{{Clear|left}}
<div class="wrapperlibretti">
<div class="wrapperlibretti">
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Cagion del mio tormento,
Cagion del mio tormento,
Anima mia sei tu.
Anima mia sei tu.
Mi stuzzichi, mi masichi,
Mi stuzzichi, mi mastichi,
Mi pungichi, mi pizzichi;  
Mi pungichi, mi pizzichi;  
Che cosa è questa oimè!
Che cosa è questa oimè!
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Bandiera d'ogni vento
Bandiera d'ogni vento
Conosco, che sei tu:
Conosco, che sei tu:
Da uno sino a cento<wiki>*</nowiki>
Da uno sino a cento<nowiki>*</nowiki>
Burli la gioventù.
Burli la gioventù.
Tu stuzzichi, tu pizzichi,
Tu stuzzichi, tu pizzichi,
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| language-note =
| language-note =
| libretto-text =<poem>'''Rachelina'''
| libretto-text =<poem>'''Rachelina'''
Ah! where are fled the joys of youth,
In my heart, I no longer feel
Which danc'd within this breast?
The innocent sparkle of youth:
Ah! where are fled the halcyon days,
The cause of my torment,
And nights of peaceful rest?
Love, you are to blame.
'Tis love does thus its fires impart,
You tease me, you bite me,
And drives coposure from my heart.
You prick me, you pinch me:
Ah! now I sigh, and now I languish,
What is this, alas!
Now start with pangs of fiercest anguish.
Have pity, have pity on me!
Pity with Justice I invoke,
Love is a certain soemthing,
To shield from black Despair's fell stroke.
That makes me delirious.  


'''Calloandro'''
'''Calloandro'''
Youth and Beauty's fairest flower,
I hear you, yes, I hear you,
I fell and own your cruel power!
Beautiful flower of youth:
'Tis you that pierce this faithful breast
The cause of my torment,
Destroy my peace, drive far my rest;
My soul, are you.
Afflict with ev'ry sort of pain,
You tease me, you bite me,
Transfix my heart and fire my brain.
You prick me, you pinch me;  
Your pity, maiden, I implore,
What is this, alas!
My fleeting senses to restore.  
Have pity, have pity on me!
That face has a certain something,
That makes me delirious.
[...]
[...]


'''Pistofolo'''  
'''Pistofolo'''
Woman, ever fair and frail,
A vane for every weather,
Wafted by each passing gale,
I know well, are you:
I know your weakness, pretty flow'r
From one to a hundred<nowiki>*</nowiki>
Complain of losing youthful power!
You mock the youth.
'Tis you afflict with ev'ry pain;
You tease, you pinch,
'Tis woman dissipates the brain.</poem>
You sting, you bite,
<div class="footnote"></div>
Until everyone cries - alas!
}}{{Clear|left}}
Have pity, have pity on me!
The woman has a certain something,
That makes me intoxicated.<ref name="FR"/></poem>}}
{{Clear|left}}
{{Libretti
{{Libretti
| country =Germany
| country =Germany
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}}</poem>
}}</poem>
<div class="footnotes"><poem>
<div class="footnotes"><poem>
Text from the version for the "Churfürstlich-Sächsische Theater" Dresden, 1790<ref name="Dresden"/>
Text from the version for the "Churfürstlich-Sächsische  
Theater" Dresden, 1790<ref name="Dresden"/>
<nowiki>*</nowiki>) "seyn" &rarr; "sein"
<nowiki>*</nowiki>) "seyn" &rarr; "sein"
"Quaalen" &rarr; "Qualen"
"Quaalen" &rarr; "Qualen"
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O grace ! grace ! grace !
O grace ! grace ! grace !
Cette fripponne, amour,
Cette fripponne, amour,
Me rend fou sans retour !
Me rend fou sans retour !}}</poem>
}}</poem>
<div class="footnotes"><poem>Text from the Version for Paris, 1811<ref name="Paris"/></poem></div>
<div class="footnotes"><poem>Text from the Version for Paris, 1811<ref name="Paris"/></poem></div>
}}
}}
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==Manuscripts and sheet music==
==Manuscripts and sheet music==
[[File:Incipit nel cor.jpg|thumb|alt=Incipit of "Nel cor più non mi sento"|Incipit of "Nel cor più non mi sento", Naples 1789<ref name="Naples"/>]]
*'''Free Score at the IMSLP'''
*'''Free Score at the IMSLP'''
:Sächsische Landesbibliothek in Desdren  
:Sächsische Landesbibliothek in Desdren  
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==References==
==References==
{{Reflist|refs=
{{Reflist|refs=
 
<ref name="FR">English translation by FR, 2021</ref>
<ref name="Kammermusik">
<ref name="Kammermusik">
{{cite web
{{cite web
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  |publisher=Adrien Garnier, Libraire du Théâtre de l'Imperatrice, rue de la Harpe, N. 35, et À l'Odéon
  |publisher=Adrien Garnier, Libraire du Théâtre de l'Imperatrice, rue de la Harpe, N. 35, et À l'Odéon
  |access-date={{date|2021-10-8|MDY}}
  |access-date={{date|2021-10-8|MDY}}
|quote=}}</ref>
<ref name="Operamanager">
{{cite web
|url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853
|archive-url=https://web.archive.org/web/20211007200355/http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853
|title=La Molinara, Paisiello
|last=
|first=
|date=
|website=Opera Manager
|publisher=
|access-date={{date|2021-10-8|MDY}}
|archive-date={{date|2021-10-8|MDY}}
  |quote=}}</ref>
  |quote=}}</ref>
}}
}}