7,004
edits
(25 intermediate revisions by the same user not shown) | |||
Line 2: | Line 2: | ||
<!-- if it is not a solitary work, here comes the infobox from the work containing it. E. g., not “Casta Diva” but “Norma”--> | <!-- if it is not a solitary work, here comes the infobox from the work containing it. E. g., not “Casta Diva” but “Norma”--> | ||
{{Infobox musical composition | {{Infobox musical composition | ||
| name = La Molinara ''ossia'' l'amor contrastato<!-- use |list_title= if list --> | | name = [[L'amor contrastato|La Molinara ''ossia'' l'amor contrastato]]<!-- use |list_title= if list --> | ||
| subtitle = | | subtitle = | ||
| type = Dramma giocoso per musica in due atti | | type = Dramma giocoso per musica in due atti | ||
Line 11: | Line 11: | ||
| alt = | | alt = | ||
| border = <!-- Set to yes for a border --> | | border = <!-- Set to yes for a border --> | ||
| caption = First page of the sheet music, Naples, 1789 | | caption = First page of the sheet music, Naples, 1789<ref name="Naples"/> | ||
| translation = | | translation = | ||
| native_name = | | native_name = | ||
Line 58: | Line 58: | ||
}} | }} | ||
'''"{{lang|it|Nel cor più non mi sento}}"''' is easily be called the most famous of [[Giovanni Paisiello|Giovanni Paisiellos]] and [[Giuseppe Palomba|Giuseppe Palombas]] creations.<ref name="Wiki"/> It inspired Ludwig van Beethoven to his ''Six variations in G for piano'', (WoO 70) in 1795. In 1821, Paganini picked up the "Nel cor" for his | '''"{{lang|it|Nel cor più non mi sento}}"''' is easily be called the most famous of [[Giovanni Paisiello|Giovanni Paisiellos]] and [[Giuseppe Palomba|Giuseppe Palombas]] creations.<ref name="Wiki"/> It inspired Ludwig van Beethoven to his ''Six variations in G for piano'', (WoO 70) in 1795. In 1821, Paganini picked up the "Nel cor" for his ''Introduction and variations in G major for violin'', (Op. 38, MS 44), which is known to us thanks to concertmaster Carl Guhr who wrote down what he remembered from Paganini's concerts in Frankfurt by ear.<ref name="Kammermusik"/> | ||
"Nel cor più non mi sento" appears on the following album: | Its inclusion in the ''24 Italian Songs and Arias'' by Schirmer (Ed.) and Alessandro Parisotti's ''Arie Antiche'' (1885) made it well known by vocal coaches and aspiring singers. | ||
{{lang|it|Nel cor più non mi sento}} originally appears in Act II of the opera [[L'amor contrastato|''La molinara'']] (engl: The Beautiful Miller), also called {{lang|it|L'amor contrastato}} (The Thwarted Love). | |||
The aria is sung by the eponymous beautiful miller, the mischievous Rachelina, who enjoys the attention of two men – the nobleman Calloandro and the notary Pistofolo.<ref name="Operamanager"/> While in aria collections, the piece is limited to Rachelina's part, in the opera, the song is picked up by the two men so attracted to her. | |||
''"Nel cor più non mi sento"'' appears on the following album: | |||
{| class="wikitable" | {| class="wikitable" | ||
Line 69: | Line 75: | ||
|- | |- | ||
|2021 | |[[2021]] | ||
| [[À sa guitare (Album)]] | | [[À sa guitare (Album)]] | ||
| [[Thibaut Garcia]] | | [[Thibaut Garcia]] | ||
Line 82: | Line 88: | ||
{{Song header <!-- use of this template automatically includes Template:Custom/songinfo.css --> | {{Song header <!-- use of this template automatically includes Template:Custom/songinfo.css --> | ||
| title = Nel cor più non mi sento | | title = Nel cor più non mi sento | ||
| english-title = I no longer feel | | english-title = In my heart, I no longer feel | ||
| composer = [[Giovanni Paisiello]] | | composer = [[Giovanni Paisiello]] | ||
| lyricist = [[Giuseppe Palomba]] | | lyricist = [[Giuseppe Palomba]] | ||
Line 89: | Line 95: | ||
| role = Rachelina | | role = Rachelina | ||
}} | }} | ||
{{Clear|left}} | {{Clear|left}} | ||
<div class="wrapperlibretti"> | <div class="wrapperlibretti"> | ||
Line 113: | Line 119: | ||
Cagion del mio tormento, | Cagion del mio tormento, | ||
Anima mia sei tu. | Anima mia sei tu. | ||
Mi stuzzichi, mi | Mi stuzzichi, mi mastichi, | ||
Mi pungichi, mi pizzichi; | Mi pungichi, mi pizzichi; | ||
Che cosa è questa oimè! | Che cosa è questa oimè! | ||
Line 124: | Line 130: | ||
Bandiera d'ogni vento | Bandiera d'ogni vento | ||
Conosco, che sei tu: | Conosco, che sei tu: | ||
Da uno sino a cento< | Da uno sino a cento<nowiki>*</nowiki> | ||
Burli la gioventù. | Burli la gioventù. | ||
Tu stuzzichi, tu pizzichi, | Tu stuzzichi, tu pizzichi, | ||
Line 140: | Line 146: | ||
| language-note = | | language-note = | ||
| libretto-text =<poem>'''Rachelina''' | | libretto-text =<poem>'''Rachelina''' | ||
In my heart, I no longer feel | |||
The innocent sparkle of youth: | |||
The cause of my torment, | |||
Love, you are to blame. | |||
You tease me, you bite me, | |||
You prick me, you pinch me: | |||
What is this, alas! | |||
Have pity, have pity on me! | |||
Love is a certain soemthing, | |||
That makes me delirious. | |||
'''Calloandro''' | '''Calloandro''' | ||
I hear you, yes, I hear you, | |||
Beautiful flower of youth: | |||
The cause of my torment, | |||
My soul, are you. | |||
You tease me, you bite me, | |||
You prick me, you pinch me; | |||
What is this, alas! | |||
Have pity, have pity on me! | |||
That face has a certain something, | |||
That makes me delirious. | |||
[...] | [...] | ||
'''Pistofolo''' | '''Pistofolo''' | ||
A vane for every weather, | |||
I know well, are you: | |||
From one to a hundred<nowiki>*</nowiki> | |||
You mock the youth. | |||
You tease, you pinch, | |||
You sting, you bite, | |||
Until everyone cries - alas! | |||
}}{{Clear|left}} | Have pity, have pity on me! | ||
The woman has a certain something, | |||
That makes me intoxicated.<ref name="FR"/></poem>}} | |||
{{Clear|left}} | |||
{{Libretti | {{Libretti | ||
| country =Germany | | country =Germany | ||
Line 212: | Line 223: | ||
}}</poem> | }}</poem> | ||
<div class="footnotes"><poem> | <div class="footnotes"><poem> | ||
Text from the version for the "Churfürstlich-Sächsische Theater" Dresden, 1790<ref name="Dresden"/> | Text from the version for the "Churfürstlich-Sächsische | ||
Theater" Dresden, 1790<ref name="Dresden"/> | |||
<nowiki>*</nowiki>) "seyn" → "sein" | <nowiki>*</nowiki>) "seyn" → "sein" | ||
"Quaalen" → "Qualen" | "Quaalen" → "Qualen" | ||
Line 254: | Line 266: | ||
O grace ! grace ! grace ! | O grace ! grace ! grace ! | ||
Cette fripponne, amour, | Cette fripponne, amour, | ||
Me rend fou sans retour ! | Me rend fou sans retour !}}</poem> | ||
}}</poem> | <div class="footnotes"><poem>Text from the Version for Paris, 1811<ref name="Paris"/></poem></div> | ||
<div class=" | |||
}} | }} | ||
</div> | </div> | ||
Line 262: | Line 273: | ||
==Manuscripts and sheet music== | ==Manuscripts and sheet music== | ||
[[File:Incipit nel cor.jpg|thumb|alt=Incipit of "Nel cor più non mi sento"|Incipit of "Nel cor più non mi sento", Naples 1789<ref name="Naples"/>]] | |||
*'''Free Score at the IMSLP''' | *'''Free Score at the IMSLP''' | ||
:Sächsische Landesbibliothek in Desdren | :Sächsische Landesbibliothek in Desdren | ||
Line 381: | Line 393: | ||
==References== | ==References== | ||
{{Reflist|refs= | {{Reflist|refs= | ||
<ref name="FR">English translation by FR, 2021</ref> | |||
<ref name="Kammermusik"> | <ref name="Kammermusik"> | ||
{{cite web | {{cite web | ||
|url=https://www.kammermusikfuehrer.de/werke/1365 | |url=https://www.kammermusikfuehrer.de/werke/1365 | ||
|archive-url=https://web.archive.org/web/20211007152849/https://www.kammermusikfuehrer.de/werke/1365 | |archive-url=https://web.archive.org/web/20211007152849/https://www.kammermusikfuehrer.de/werke/1365 | ||
|title=Niccolò Paganini | |title=Niccolò Paganini, Introduktion und Variationen über "Nel cor più non mi sento" | ||
Introduktion und Variationen über "Nel cor più non mi sento" | |||
|last= | |last= | ||
|first= | |first= | ||
Line 408: | Line 419: | ||
|access-date={{date|2021-10-8|MDY}} | |access-date={{date|2021-10-8|MDY}} | ||
|archive-date={{date|2021-10-8|MDY}} | |archive-date={{date|2021-10-8|MDY}} | ||
|quote=}} | |quote=}} | ||
</ref> | </ref> | ||
Line 459: | Line 458: | ||
</ref> | </ref> | ||
<ref name="London"> | |||
{{cite web | {{cite web | ||
|url=https://www.google.de/books/edition/La_Molinara/Ta9MAAAAcAAJ?hl=de&gbpv=0 | |url=https://www.google.de/books/edition/La_Molinara/Ta9MAAAAcAAJ?hl=de&gbpv=0 | ||
Line 484: | Line 469: | ||
|access-date={{date|2021-10-8|MDY}} | |access-date={{date|2021-10-8|MDY}} | ||
|quote=}}</ref> | |quote=}}</ref> | ||
<ref name="Dresden"> | <ref name="Dresden"> | ||
{{cite web | {{cite web | ||
Line 532: | Line 492: | ||
|publisher=Adrien Garnier, Libraire du Théâtre de l'Imperatrice, rue de la Harpe, N. 35, et À l'Odéon | |publisher=Adrien Garnier, Libraire du Théâtre de l'Imperatrice, rue de la Harpe, N. 35, et À l'Odéon | ||
|access-date={{date|2021-10-8|MDY}} | |access-date={{date|2021-10-8|MDY}} | ||
|quote=}}</ref> | |||
<ref name="Operamanager"> | |||
{{cite web | |||
|url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |||
|archive-url=https://web.archive.org/web/20211007200355/http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |||
|title=La Molinara, Paisiello | |||
|last= | |||
|first= | |||
|date= | |||
|website=Opera Manager | |||
|publisher= | |||
|access-date={{date|2021-10-8|MDY}} | |||
|archive-date={{date|2021-10-8|MDY}} | |||
|quote=}}</ref> | |quote=}}</ref> | ||
}} | }} |