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L'amor contrastato (view source)

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→‎L'amor contrastato in Philippe Jaroussky's discography, filmography and performance history
 
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| comment            =  
| comment            =  
| premiere_date      = 1788 or 1789
| premiere_date      = 1788
| premiere_location  =  
| premiere_location  =  
| premiere_conductor  =  
| premiere_conductor  =  
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'''{{lang|it| La Molinara}}''', also called '''{{lang|it|L'amor contrastato}}''' is an opera by [[Giovanni Paisiello]], after a libretto by [[Giuseppe Palomba]].<ref name="Wiki"/>. There seem to be different versions: The one from Parma<ref name="Parma"/>, Teatro di Corte, 1791, does not have the ''"[[Nel cor più non mi sento]]"'' at all. (That such a popular piece would be cut is unlikely, so this would validate future research.) The one from Naples, Teatro di Fiorentini 1789<ref name="Naples"/>, does, as well as the 1810 libretto from La Scala<ref name="Scala"/>. Unfortunately, the manuscript from Naples, 1789, does not list the cast. Different sources are required.
'''{{lang|it| La Molinara}}''' (engl: The Beautiful Miller), also called '''{{lang|it|L'amor contrastato}}''' (The Thwarted Love) is an opera by [[Giovanni Paisiello]], after a libretto by [[Giuseppe Palomba]].<ref name="Wiki"/>. There seem to be different versions: The one from Parma<ref name="Parma"/>, Teatro di Corte, 1791, does not have the ''"[[Nel cor più non mi sento]]"'' at all. (That such a popular piece would be cut is unlikely, so this would validate future research.) The one from Naples, Teatro di Fiorentini 1789<ref name="Naples"/>, does, as well as the 1810 libretto from La Scala<ref name="Scala"/>.  


Premiere dates have to be taken with a grain of salt: "L'Amor Contrasto, in 1795, was by the theatre management hailed as new, when it still was the ''La Molinarella'', later ''La Molinara'', having its King's [Theatre] premiere in 1791."<ref name="Fenner"/>
International premiere dates have to be taken with a grain of salt: "L'Amor Contrasto, in 1795, was by the theatre management hailed as new, when it still was the ''La Molinarella'', later ''La Molinara'', having its King's [Theatre] premiere in 1791."<ref name="Fenner"/>


Easily the most famous piece from the opera is "[[Nel cor più non mi sento]]". It appears on the following album:
Easily the most famous piece from the opera is ''"[[Nel cor più non mi sento]]"''.  
==Synopsis==


{| class="wikitable"
The opera unites many well-loved tropes. The plot is lively and comical, so it comes as no surprise that the opera stayed internationally popular long after its inception.
|-
! width="80px"|Year
! Album
! With


|-
The comedy revolves around the character of the beautiful and mischievous Rachelina, owner of a mill, flattered by the attention of two men (the nobleman Calloandro and the notary Pistofolo) and undecided as to which of the two to choose as suitor. The game is fun but dangerous because it can awaken the jealousy of Baroness Eugenia, feudal lord of the place and also promised to Calloandro.<ref name="Operamanager"/>
| 2021
| [[À sa guitare (Album)]]
| [[Thibaut Garcia]]
|}
==Synopsis==


The opera unites many well-loved tropes while recounting the amorous adventures of the beautiful miller Rachelina. The plot is lively and comical, so it comes as no surprise that the opera stayed internationally popular long after its inception.
The scene is on the estate of the Baroness, near Naples.<ref>Naples</ref>
 
The scen is on the estate of the Baroness, near naples.<ref>Naples</ref>


==Roles and casts==
==Roles and casts==
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|-
|-
|Rachelina, ricca Molinara, e dispettosa in amore
|Rachelina, ricca Molinara, e dispettosa in amore
|
|soprano
|Clotilde Cioffi Bonfanti
|Clotilde Cioffi Bonfanti
|Paolina Agodino
|Paolina Agodino
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|-
|-
| Eugenia, Baronessa promessa sposa di Don Collandro
| Eugenia, Baronessa promessa sposa di Don Collandro
|  
| soprano
| Matilde Pugnetti
| Matilde Pugnetti
| Marianna Muraglia
| Marianna Muraglia
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|-
|-
| Amaranta, Cameriera di Donn'Eugenia
| Amaranta, Cameriera di Donn'Eugenia
|  
| soprano
| Camilla Baglioni
| Camilla Baglioni
| Annunziata Chelli Berni
| Annunziata Chelli Berni
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|-
|-
| Notar Pistofolo, Notajo di Casa della Baronessa, uomo ignorante nel suo mestiere*
| Notar Pistofolo, Notajo di Casa della Baronessa, uomo ignorante nel suo mestiere*
|  
| baritono
| Gio. Battista Brocchi
| Gio. Battista Brocchi
| Niccola Bassi
| Niccola Bassi
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|-
|-
|Don Calloandro, giovane vanaglorioso, Cugino di Donn'Eugenia, cui sta in obbligo di sposarsi, che poi s'innamora di Rachelina
|Don Calloandro, giovane vanaglorioso, Cugino di Donn'Eugenia, cui sta in obbligo di sposarsi, che poi s'innamora di Rachelina
|  
| tenore
| Felice Simi
| Felice Simi
| Eliodoro Bianchi
| Eliodoro Bianchi
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|-
|-
| Don Rospolone, Governatore
| Don Rospolone, Governatore
|  
| basso
| Luigi Monti
| Luigi Monti
| Luigi Zamboni
| Luigi Zamboni
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|-
|-
| Don Luigino, giovane di poca fortuna, che fa il Servente mal gradito di Donn' Eugenia  
| Don Luigino, giovane di poca fortuna, che fa il Servente mal gradito di Donn' Eugenia  
|  
| tenore
| Alessandro Speciotti
| Alessandro Speciotti
| Pietro Vasòli
| Pietro Vasòli
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|-
|-
| Rachelina, the Maid of the Mill
| Rachelina, the Maid of the Mill
|
|soprano
|
|Madame Fodor


|-
|-
| The Baroness Eugenia, betrothed to Don Colloandro
| The Baroness Eugenia, betrothed to Don Colloandro
|  
| soprano
| Signora Mori
| Signora Mori


|-
|-
| Amaranthe, Waiting Woman to Donna Eugenia
| Amaranthe, Waiting Woman to Donna Eugenia
|  
| soprano
|Miss Tree
|Miss Tree


|-
|-
| Pistofolo, Secretary to the Baroness, a Notary, but ignorant of his profession
| Pistofolo, Secretary to the Baroness, a Notary, but ignorant of his profession
|  
| baritono
| Signor Naldi
| Signor Naldi


|-
|-
| Don Calloandro, in love with Rachelina
| Don Calloandro, in love with Rachelina
|  
| tenore
| Signor Begrez
| Signor Begrez


|-
|-
| Don Rospolone, a military Governor
| Don Rospolone, a military Governor
|  
| basso
| Sig. Ambrogetti
| Sig. Ambrogetti


|-
|-
| Don Luigino, a young Gentleman of small fortune, an awkward Suitor of the Baroness
| Don Luigino, a young Gentleman of small fortune, an awkward Suitor of the Baroness
|  
| tenore
| Signor Deville
| Signor Deville
|}
|}
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{| class="wikitable sortable" style="zebra
{| class="wikitable sortable" style="zebra
! Year
! Year
! Title
! Album
! Album
|-
|-
| 2021
| [[2021]]
| "[[Nel cor più non mi sento]]"
| [[À sa guitare (Album)]]
| [[À sa guitare (Album)]]
|}
|}
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! Year first published/performed
! Year first published/performed
|-
|-
| 2021
| [[2021]]
| [[Nel cor più non mi sento]]
| "[[Nel cor più non mi sento]]"
| [[À sa guitare (Album)]]
| [[À sa guitare (Album)]]
| 1788 or 1889<nowiki>*</nowiki>
| 1788 or 1889<ref name="Treccani"/>
|}
|}
<div class="footnotes">Italian Wikipedia: 1788 (unsourced); Sheet music from Naples: 1789<ref name="Naples"/></div>
<div class="footnotes"></div>


==References==
==References==
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  |access-date={{date|2021-10-8|MDY}}
  |access-date={{date|2021-10-8|MDY}}
  |quote=}}</ref>
  |quote=}}</ref>
<ref name="Treccani">
{{cite web
|url=https://www.treccani.it/enciclopedia/giovanni-paisiello_%28Dizionario-Biografico%29/
|archive-url=https://web.archive.org/web/20211005132340/https://www.treccani.it/enciclopedia/giovanni-paisiello_%28Dizionario-Biografico%29/
|title=Gioanni Paisiello, biography
|last=
|first=
|date=
|website=Treccani
|publisher=
|access-date={{date|2021-10-8|MDY}}
|archive-date={{date|2021-10-8|MDY}}
|quote=}}</ref>
<ref name="Operamanager">
{{cite web
|url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853
|archive-url=https://web.archive.org/web/20211007200355/http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853
|title=La Molinara, Paisiello
|last=
|first=
|date=
|website=Opera Manager
|publisher=
|access-date={{date|2021-10-8|MDY}}
|archive-date={{date|2021-10-8|MDY}}
|quote=}}</ref>
http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853
}}
}}


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