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Difference between revisions of "L'amor contrastato"
→L'amor contrastato in Philippe Jaroussky's discography, filmography and performance history
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{{Short description|opera by Giovanni Paisiello}}<!-- no repetition of page title--> | {{Short description|opera by Giovanni Paisiello}}<!-- no repetition of page title--> | ||
<templatestyles src="Custom/pjwiki.css" /> <!--This is to make the div class "footnotes" available--> | |||
{{Infobox musical composition | {{Infobox musical composition | ||
| name = La Molinara ''ossia'' l'amor contrastato<!-- use |list_title= if list --> | | name = La Molinara ''ossia'' l'amor contrastato<!-- use |list_title= if list --> | ||
| Line 49: | Line 50: | ||
| instrumental = | | instrumental = | ||
| comment = | | comment = | ||
| premiere_date = 1788 | | premiere_date = 1788 | ||
| premiere_location = | | premiere_location = | ||
| premiere_conductor = | | premiere_conductor = | ||
| Line 57: | Line 58: | ||
}} | }} | ||
'''{{lang|it| La Molinara}}''', also called '''{{lang|it|L'amor contrastato}}''' is an opera by [[Giovanni Paisiello]], after a libretto by [[Giuseppe Palomba]].<ref name="Wiki"/>. There seem to be different versions: The one from Parma<ref name="Parma"/>, Teatro di Corte, 1791, does not have the ''"[[Nel cor più non mi sento]]"'' at all. (That such a popular piece would be cut is unlikely, so this would validate future research.) The one from Naples, Teatro di Fiorentini 1789<ref name="Naples"/>, does, as well as the 1810 libretto from La Scala<ref name="Scala"/> | '''{{lang|it| La Molinara}}''' (engl: The Beautiful Miller), also called '''{{lang|it|L'amor contrastato}}''' (The Thwarted Love) is an opera by [[Giovanni Paisiello]], after a libretto by [[Giuseppe Palomba]].<ref name="Wiki"/>. There seem to be different versions: The one from Parma<ref name="Parma"/>, Teatro di Corte, 1791, does not have the ''"[[Nel cor più non mi sento]]"'' at all. (That such a popular piece would be cut is unlikely, so this would validate future research.) The one from Naples, Teatro di Fiorentini 1789<ref name="Naples"/>, does, as well as the 1810 libretto from La Scala<ref name="Scala"/>. | ||
International premiere dates have to be taken with a grain of salt: "L'Amor Contrasto, in 1795, was by the theatre management hailed as new, when it still was the ''La Molinarella'', later ''La Molinara'', having its King's [Theatre] premiere in 1791."<ref name="Fenner"/> | |||
Easily the most famous piece from the opera is "[[Nel cor più non mi sento]]". | Easily the most famous piece from the opera is ''"[[Nel cor più non mi sento]]"''. | ||
==Synopsis== | |||
The opera unites many well-loved tropes. The plot is lively and comical, so it comes as no surprise that the opera stayed internationally popular long after its inception. | |||
The comedy revolves around the character of the beautiful and mischievous Rachelina, owner of a mill, flattered by the attention of two men (the nobleman Calloandro and the notary Pistofolo) and undecided as to which of the two to choose as suitor. The game is fun but dangerous because it can awaken the jealousy of Baroness Eugenia, feudal lord of the place and also promised to Calloandro.<ref name="Operamanager"/> | |||
The scene is on the estate of the Baroness, near Naples.<ref>Naples</ref> | |||
==Roles and casts== | ==Roles and casts== | ||
| Line 87: | Line 79: | ||
|- | |- | ||
|Rachelina, ricca Molinara, e dispettosa in amore | |Rachelina, ricca Molinara, e dispettosa in amore | ||
| | |soprano | ||
|Clotilde Cioffi Bonfanti | |Clotilde Cioffi Bonfanti | ||
|Paolina Agodino | |Paolina Agodino | ||
| Line 93: | Line 85: | ||
|- | |- | ||
| Eugenia, Baronessa promessa sposa di Don Collandro | | Eugenia, Baronessa promessa sposa di Don Collandro | ||
| | | soprano | ||
| Matilde Pugnetti | | Matilde Pugnetti | ||
| Marianna Muraglia | | Marianna Muraglia | ||
| Line 99: | Line 91: | ||
|- | |- | ||
| Amaranta, Cameriera di Donn'Eugenia | | Amaranta, Cameriera di Donn'Eugenia | ||
| | | soprano | ||
| Camilla Baglioni | | Camilla Baglioni | ||
| Annunziata Chelli Berni | | Annunziata Chelli Berni | ||
| Line 105: | Line 97: | ||
|- | |- | ||
| Notar Pistofolo, Notajo di Casa della Baronessa, uomo ignorante nel suo mestiere* | | Notar Pistofolo, Notajo di Casa della Baronessa, uomo ignorante nel suo mestiere* | ||
| | | baritono | ||
| Gio. Battista Brocchi | | Gio. Battista Brocchi | ||
| Niccola Bassi | | Niccola Bassi | ||
| Line 111: | Line 103: | ||
|- | |- | ||
|Don Calloandro, giovane vanaglorioso, Cugino di Donn'Eugenia, cui sta in obbligo di sposarsi, che poi s'innamora di Rachelina | |Don Calloandro, giovane vanaglorioso, Cugino di Donn'Eugenia, cui sta in obbligo di sposarsi, che poi s'innamora di Rachelina | ||
| | | tenore | ||
| Felice Simi | | Felice Simi | ||
| Eliodoro Bianchi | | Eliodoro Bianchi | ||
| Line 117: | Line 109: | ||
|- | |- | ||
| Don Rospolone, Governatore | | Don Rospolone, Governatore | ||
| | | basso | ||
| Luigi Monti | | Luigi Monti | ||
| Luigi Zamboni | | Luigi Zamboni | ||
| Line 123: | Line 115: | ||
|- | |- | ||
| Don Luigino, giovane di poca fortuna, che fa il Servente mal gradito di Donn' Eugenia | | Don Luigino, giovane di poca fortuna, che fa il Servente mal gradito di Donn' Eugenia | ||
| | | tenore | ||
| Alessandro Speciotti | | Alessandro Speciotti | ||
| Pietro Vasòli | | Pietro Vasòli | ||
|} | |} | ||
<nowiki>*</nowiki>) Parma: Notar Pistofolo; Scala: Notar Opistofolo | <div class="footnotes"><nowiki>*</nowiki>) Parma: Notar Pistofolo; Scala: Notar Opistofolo</div> | ||
{| class="wikitable" style="zebra" | {| class="wikitable" style="zebra" | ||
! Role | ! Role | ||
| Line 135: | Line 127: | ||
|- | |- | ||
| Rachelina, the Maid of the Mill | | Rachelina, the Maid of the Mill | ||
| | |soprano | ||
| | |Madame Fodor | ||
|- | |- | ||
| The Baroness Eugenia, betrothed to Don Colloandro | | The Baroness Eugenia, betrothed to Don Colloandro | ||
| | | soprano | ||
| | | Signora Mori | ||
|- | |- | ||
| Amaranthe, Waiting Woman to Donna Eugenia | | Amaranthe, Waiting Woman to Donna Eugenia | ||
| | | soprano | ||
| | |Miss Tree | ||
|- | |- | ||
| Pistofolo, Secretary to the Baroness, a Notary, but ignorant of his profession | | Pistofolo, Secretary to the Baroness, a Notary, but ignorant of his profession | ||
| | | baritono | ||
| | | Signor Naldi | ||
|- | |- | ||
| Don Calloandro, in love with Rachelina | | Don Calloandro, in love with Rachelina | ||
| | | tenore | ||
| | | Signor Begrez | ||
|- | |- | ||
| Don Rospolone, a military Governor | | Don Rospolone, a military Governor | ||
| | | basso | ||
| | | Sig. Ambrogetti | ||
|- | |- | ||
| Don Luigino, a young Gentleman of small fortune, an awkward Suitor of the Baroness | | Don Luigino, a young Gentleman of small fortune, an awkward Suitor of the Baroness | ||
| | | tenore | ||
| | | Signor Deville | ||
|} | |} | ||
==Répertoire International des Sources Musicales – RISM-OPAC== | ==Répertoire International des Sources Musicales – RISM-OPAC== | ||
*OCLC Number: OCLC 165786008<ref name="OPAC"/> | *OCLC Number: OCLC 165786008<ref name="OPAC"/> | ||
==Sources and sheet music== | ==Sources and sheet music== | ||
| Line 346: | Line 247: | ||
:{{cite web | :{{cite web | ||
|url=https://www.loc.gov/item/2010663340/ | |url=https://www.loc.gov/item/2010663340/ | ||
|title= | |title=Die streitig gemachte Liebschaft : ein musikalisches Lustspiel für das Churfürstlich-Sächsisches Theater. | ||
|last=Paisiello | |last=Paisiello | ||
|first=Giovanni | |first=Giovanni | ||
| Line 385: | Line 286: | ||
{| class="wikitable sortable" style="zebra | {| class="wikitable sortable" style="zebra | ||
! Year | ! Year | ||
! Title | |||
! Album | ! Album | ||
|- | |- | ||
| 2021 | | [[2021]] | ||
| "[[Nel cor più non mi sento]]" | |||
| [[À sa guitare (Album)]] | | [[À sa guitare (Album)]] | ||
|} | |} | ||
| Line 408: | Line 311: | ||
! Year first published/performed | ! Year first published/performed | ||
|- | |- | ||
| 2021 | | [[2021]] | ||
| [[Nel cor più non mi sento]] | | "[[Nel cor più non mi sento]]" | ||
| [[À sa guitare (Album)]] | | [[À sa guitare (Album)]] | ||
| | | 1788 or 1889<ref name="Treccani"/> | ||
|} | |} | ||
<div class="footnotes"></div> | |||
==References== | ==References== | ||
| Line 504: | Line 408: | ||
|access-date={{date|2021-10-8|MDY}} | |access-date={{date|2021-10-8|MDY}} | ||
|quote=}}</ref> | |quote=}}</ref> | ||
<ref name="Treccani"> | |||
{{cite web | |||
|url=https://www.treccani.it/enciclopedia/giovanni-paisiello_%28Dizionario-Biografico%29/ | |||
|archive-url=https://web.archive.org/web/20211005132340/https://www.treccani.it/enciclopedia/giovanni-paisiello_%28Dizionario-Biografico%29/ | |||
|title=Gioanni Paisiello, biography | |||
|last= | |||
|first= | |||
|date= | |||
|website=Treccani | |||
|publisher= | |||
|access-date={{date|2021-10-8|MDY}} | |||
|archive-date={{date|2021-10-8|MDY}} | |||
|quote=}}</ref> | |||
<ref name="Operamanager"> | |||
{{cite web | |||
|url=http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |||
|archive-url=https://web.archive.org/web/20211007200355/http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |||
|title=La Molinara, Paisiello | |||
|last= | |||
|first= | |||
|date= | |||
|website=Opera Manager | |||
|publisher= | |||
|access-date={{date|2021-10-8|MDY}} | |||
|archive-date={{date|2021-10-8|MDY}} | |||
|quote=}}</ref> | |||
http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=10853 | |||
}} | }} | ||