Difference between revisions of "Duchess Maria Antonia of Bavaria"

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| monuments          =  
| monuments          =  
| nationality        = <!-- use only when necessary per [[WP:INFONAT]] -->
| nationality        = <!-- use only when necessary per [[WP:INFONAT]] -->
| other_names        =  
| other_names        = ''Ermelinda Talea Pastorella Arcadia'' ( ETPA )
| siglum            =  
| siglum            =  
| citizenship        = <!-- use only when necessary per [[WP:INFONAT]] -->
| citizenship        = <!-- use only when necessary per [[WP:INFONAT]] -->
| education          =  
| education          = {{plainlist|
*Giovanni Battista Ferrandini
*[[Nicola Porpora]]}}
| alma_mater        =  
| alma_mater        =  
| occupation        =  
| occupation        = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist
| years_active      =  
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*Maria Amalia, Duchess of Zweibrücken-Birkenfeld
*Maria Amalia, Duchess of Zweibrücken-Birkenfeld
*Maximilian, Crown Prince of Saxony
*Maximilian, Crown Prince of Saxony
*Princess Teresa Maria
*Princess Teresa Maria}}
| parents            = <!-- overrides mother and father parameters -->
| parents            = <!-- overrides mother and father parameters -->
| mother            = Maria Amalia of Austria<!-- may be used (optionally with father parameter) in place of parents parameter (displays "Parent(s)" as label) -->
| mother            = Maria Amalia of Austria<!-- may be used (optionally with father parameter) in place of parents parameter (displays "Parent(s)" as label) -->
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}}
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Already her birth was celebrated by her parents with the performance of Pietro Torri's opera Amadis de Grecia. In her youth in Munich she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and Nicola Antonio Porpora. The festivities at her wedding to Frederick Christian of Saxony (1747) featured Christoph Willibald Gluck's opera Le nozze d'Ercole e d'Ebe and Johann Adolf Hasse's La Spartana generosa. In Dresden she continued her musical studies with Hasse and Nicola Porpora and felt particularly attached to the style of opera seria. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life, adopted shepherd's names (pseudonyms) for this purpose. Maria Antonia received the name Ermelinda Talea Pastorella Arcadia (ETPA).
'''Maria Antonia of Bavaria'''(18 July 1724 &dash; 23 April 1780) was a politician, musician, poetess, librettist, composer and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education.
==Maria Antonia as an artist==
Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''.  


Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs.
In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA).
==XXX in Philippe Jaroussky's discography, filmography and performance history==
 
Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs.''(Abbridged from Wikipedia)''
 
Among her works are:
*''Il trionfo della fedeltà'' (opera, performed at Dresden in 1754, libretto and music by Maria Antonia);
*''Talestri, regina delle Amazzoni'' (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia);
*''La conversione di Sant'Agostino'' (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse).
==Maria Antonia of Bavaria in Philippe Jaroussky's discography, filmography and performance history==
===Studio albums===
===Studio albums===
{| class="wikitable sortable"
{| class="wikitable sortable"
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|-
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| [[2020]]
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| [[Il rimorso opprime il seno|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
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| [[La Vanità del Mondo (Album)]]


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See the respective program page for a list of possible recordings.
See the respective program page for a list of possible recordings.


===Complete list of musical pieces using words by XXXXXXXX===
===Complete list of musical pieces using words by Maria Antonia of Bavaria===
This listing only reflects the musical pieces performed by Philippe Jaroussky.
This listing only reflects the musical pieces performed by Philippe Jaroussky.
{| class="wikitable sortable" style="zebra"
{| class="wikitable sortable" style="zebra"
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|-
|-
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| [[2020]]
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| [[Johann Adolph Hasse]]
|
| [[Il rimorso opprime il seno|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
|
| [[La conversione di Sant' Agostino]]
|
| [[La Vanità del Mondo (Album)]]
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| 1750<ref name="Wiki"/>
|}
|}
==References==
==References==
{{Reflist|refs=
{{Reflist|refs=
 
<ref name="Wiki">
{{cite web
{{cite web
  |url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern
  |url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern
  |archive-url=
  |archive-url=https://web.archive.org/web/20211015105240/https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern
  |title=
  |title=Maria Antonia von Bayern
  |last=
  |last=
  |first=
  |first=
  |date=
  |date=
  |website=
  |website=Wikipedia
  |publisher=
  |publisher=
  |access-date={{date|2021-10-06|DMY}}
  |access-date={{date|2021-10-06|DMY}}
  |archive-date={{date|2021-10-06|DMY}}
  |archive-date={{date|2021-10-06|DMY}}
  |quote=}}
  |quote=}}
</ref>
}}
}}


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[[Category:Librettists]]
[[Category:Librettists]]
[[Category:Lyricists]]
[[Category:Lyricists]]
[[Category:XX-century librettists]]
[[Category:18th-century librettists]]
[[Category:XX-century poets]]
[[Category:18th-century poets]]
[[Category:XX-century lyricists]]
[[Category:18th-century lyricists]]
[[Category:18th-century composers]]
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