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Difference between revisions of "Aurelio Aureli"
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Little is known about Aureli's life. He debuted in the operatic field in 1652 with ''L'Erginda''. Until 1687 he worked as a librettist mainly in Venice, with the exception of a brief trip to Vienna. There, he was a member of the ''Accademia degli Imperfetti'' and perhaps also of the ''Accademia degli Incogniti''. From 1688 to 1694 he was, however, in the service of the Duke of Parma, during which period he wrote about a dozen dramatic works, which were then almost all music by the then composer of the court Bernardo Sabadini. The last libretti were written in Venice and in other cities of the Republic. (Translated from Wikipedia<ref name="Wiki"/>) | Little is known about Aureli's life. He debuted in the operatic field in 1652 with ''L'Erginda''. Until 1687 he worked as a librettist mainly in Venice, with the exception of a brief trip to Vienna. There, he was a member of the ''Accademia degli Imperfetti'' and perhaps also of the ''Accademia degli Incogniti''. From 1688 to 1694 he was, however, in the service of the Duke of Parma, during which period he wrote about a dozen dramatic works, which were then almost all music by the then composer of the court Bernardo Sabadini. The last libretti were written in Venice and in other cities of the Republic. (Translated from Wikipedia<ref name="Wiki"/>) | ||
His libretti were set to music by many composers, among them Alessandro Scarlatti (''Massimo Puppieno''), Reinhard Keiser (''Helena''), Johann David Heinichen (''Olimpia vendicata''), Johann Adolph Hasse (''Gerone tiranno di Siracusa''), and even Georg Friedrich Händel (''Admeto'', HWV 22) | His libretti were set to music by many composers, among them [[Alessandro Scarlatti]] (''Massimo Puppieno''), Reinhard Keiser (''Helena''), Johann David Heinichen (''Olimpia vendicata''), [[Johann Adolph Hasse]] (''Gerone tiranno di Siracusa''), and even [[Georg Friedrich Händel]] (''Admeto'', HWV 22)<ref name="IMSLP"/><ref name="OpeningNight"/> | ||
Cavalli set two of his libretti to music: ''Ciro'' (1653) and ''Erismena'' (1655). The libretto for Cavalli's opera ''Eliogabalo'' (1667) was based on an unknown work but is also written by Aurelio Aureli.<ref name="Eliogabalo"/> | [[Francesco Cavalli]] set two of his libretti to music: ''Ciro'' (1653) and ''[[L'Erismena]]'' (1655). The libretto for Cavalli's opera ''[[Eliogabalo]]'' (1667) was based on an unknown work but is also written by Aurelio Aureli.<ref name="Eliogabalo"/> | ||
==Aurelio Aureli in Philippe Jaroussky's discography, filmography and performance history== | ==Aurelio Aureli in Philippe Jaroussky's discography, filmography and performance history== | ||
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|- | |- | ||
| 2017 (rec.) | | [[2017]] (rec.) | ||
| [["Dove mi conducete?"..."Uscitemi dal cor, lacrime amare"]] | | [["Dove mi conducete?"..."Uscitemi dal cor, lacrime amare"]] | ||
| [[Ombra mai fu (Album)]] | | [[Ombra mai fu (Album)]] | ||
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See the respective program page for a list of possible recordings. | See the respective program page for a list of possible recordings. | ||
--> | --> | ||
===Complete list of musical pieces using words by Aurelio Aureli=== | ===Complete list of musical pieces using words by Aurelio Aureli=== | ||
This listing only reflects the musical pieces performed by Philippe Jaroussky. | This listing only reflects the musical pieces performed by Philippe Jaroussky. | ||
| Line 103: | Line 104: | ||
| [[L'Erismena]] | | [[L'Erismena]] | ||
| [[Ombra mai fu (Album)]] | | [[Ombra mai fu (Album)]] | ||
| | | 1655 | ||
|- | |- | ||
| [[2017]] (rec.) | | [[2017]] (rec.) | ||
| " | | [["Io resto solo?"..."Misero, così va"]] | ||
| [[Francesco Cavalli]] | | [[Francesco Cavalli]] | ||
| | | [[Eliogabalo]] | ||
| [[Ombra mai fu (Album)]] | | [[Ombra mai fu (Album)]] | ||
| | | 1667 | ||
|} | |} | ||
==References== | ==References== | ||
{{Reflist|refs= | {{Reflist|refs= | ||